Paris Soir - New film explores radicalization from perspective of IS 'Brides'

Over the past decade Nadia Fall, a British theater director of Muslim heritage, has watched the polarizing and vitriolic debate about Begum's infamous case, online radicalization, and who is to blame.

"We kept thinking 'well these are girls, these are children really, legally,'" said Fall, who began work on a film project with writer Suhayla El-Bushra.

"The stories never really were (told) from their point of view."

The resulting new drama, "Brides," which premiered at the US-based Sundance festival and is loosely inspired by their story, is an attempt to change that.

As much a road movie about friendship as it is political, the film follows two fictional Muslim teenagers on their journey through Turkey, to Syria.

"Brides" does not concern itself so much with what happens in Syria, but how and why the girls traveled there in the first place.

Doe and Muna suffer racist bullying at school. They live in a neighborhood where graffiti scrawled on the wall says "Behead All Muslims." Their parents are abusive, emotionally or physically.

They convince each other that the men waiting for them in Syria will treat them with more respect than they experienced back home.

"This is not an apologist film," said Fall.

But "teenage brains are hardwired to take risks," and the girls "were duped" by shadowy online voices who falsely purported to represent Islam, she said.

- 'Empathize' -

The subject matter continues to be divisive.

Last year, Begum lost a high-profile bid to appeal the stripping of her British citizenship.

She was 15 years old when she travelled to Syria. Now 25, Begum has not been able to return from a refugee camp in northern Syria.

Tabloid newspapers, who have consistently called Begum a "vile fanatic" who has "no place on our soil," celebrated the latest court ruling.

Rights groups argue that Begum should answer for any crimes in her home country.

While the film's characters are not specifically based on Begum, the influence is clear.

Actress Safiyya Ingar grew up in London's Hackney, "ten minutes from where those girls are from."

Co-star Ebada Hassan listened to a BBC podcast to study Begum's infamous case.

"I thought it was imperative to get a person's point of view who'd been through that, instead of just using what I've seen in the media for this portrayal," she said.

"It was nice to hear her voice. I tried to empathize with her before filling these shoes.

But, she added, "I'm not trying to pretend to be her -- at all."

- 'Monsters' -

Fall believes that young people including Begum have been treated differently by the UK government, legal system and media due to their faith and skin color.

"We didn't want to regurgitate stories about radicalization and so on. But we just thought it was our story to tell," said Fall.

Like most films at Sundance, the movie is up for sale to potential distributors.

Fall believes the subject remains urgent, as the divisive forces that drove the girls' terrible decisions are stronger than ever.

"It's not gone away, this idea of 'us versus them', 'these people are different,' and trying to exploit other people feeling marginalized,'" said Fall.

"It doesn't have to be Syria," she warned.

L.Lefevre--PS